Tag Archives: south asian

bhajans and boys: a three (3) part series

Part 1: Prashaad and Giving Up the P (Story Below)

Part 2: God’s Corner (Come back Wednesday, October 15, for Part 2)

Part 3: Souls Sung Clean (Come back Friday, October 17, for Part 3)


Dear Readers,

Bhajan’s and Boys Intro: Somewhere between the 80’s and the late 90’s, Mira Mesa, my hometown, grew a Little India. Desi’s took over a strip mall section off Black Mountain Road, just before the Miramar Airforce Base. Now Mira Mesa, and the City of San Diego in general, has a Hindu temple, desi dinner spots, desi snack spots, a desi grocery store (we do love our food), and clothing boutiques (and we sho know how to dress).

But when I was growing up in San Diego, my family would drive two hours to Los Angeles to buy spices on Artesia Blvd. The closest thing to Little India in the whole damn city was the Hare Krishna temple in Pacific Beach. We’d go there sometimes. Me pressed back against my mother’s legs as the pale, sari and dhoti clad people danced alarmingly. They’d circle up tight, and then speed up wide, until it was almost as though they were chasing each other in a huge, raucous game of Duck Duck Goose. And then they fed anyone who walked through their doors. Their generosity was appreciated. But their quasi-desi khana was to my moms home cooking what sugar substitutes are to sugar.

Thank god for the Trekannand’s. Every Thursday night Prem Uncle, Sheila Anti, and Deepak, their son, would open up their Mira Mesa home to any and all (but mainly desi folks) for bhajan. The pooja ceremony would start at 7pm. Final aarthi plus prashaad had us leaving around 10pm. In between we sang and sang.

The Trekannand’s were like the Jackson 5 of San Diego Hindus. Prem Uncle sang and played harmonium. Sheila Anti sang a steely backup and played light precussion, mainly tambourine and manjira. Their son Deepak played and played the tabla from when he was young and learning till he was grown and fluent. Together, they led the high and low notes of our prayers.

After opening their home to San Diego for decades, the Trekannand’s moved back to Pune. San Diego is not the same without them, those cultural pioneers.

This story, “Bhajans and Boys,” is going to be told in three (3) parts. Part one (1) is called: Prashaad and Giving Up the P. It is a true coming of age story, of me, an Indian in America. Come back for Part 2 on Wednesday.



bhajans and boys: a three (3) part series

part 1: prashaad and giving up the p

by roopa singh

“prasada: in its material sense, prasada is created by a process of giving and receiving between a human devotee and the divine god.”

here’s a clue. if someone hands you a plate of prashaad, you Have To Eat It. you have to Dive in to it while they are watching. why? because it shows that you are not above honoring custom. and it proves that you love the gods and the gods love you back. or something.

clue number two. if you absolutely cannot finish your plate of prashaad, either pawn that sucker off to your dad (if he’s there) cuz lord knows he’ll eat it, or ask your mom (if she’s not busy) to hold your plate for you for ever, or, worse comes to worst, leave the offending plate on an end table by one of the Nana Ji’s when he’s not looking. whatever happens, do not get seen throwing away a plate of prashaad. total cultural suicide. an absolute no-no.  especially for an American born, hip hop dancing, lamba chora Desi girl like me.

Prem Uncle and Sheila Anti had one son, Deepak. i just knew we were gonna get married. the three of them, the Trekannand family, hosted bhajan at their suburban track home every Thursday night.

every Thursday for years, the quiet block would jam to high heaven for hours, and their doorstep would be littered with shoes.

thick strapped beige chapaals with toe loops for the Nani Ji’s. thick strapped black chapaals with no toe loops for the Nana Ji’s. black and brown loafers for the Uncles. maroon slip-on’s and glittering heeled chapaals for the Anti’s. sneakers with internal weight activated lights for the little ones. nikes, reeboks, jelly sandals, and miniature versions of Uncle and Anti shoes for the big kids.

showing up to bhajan late meant wading through the swamp of these shoes.

“big brown hiking boots?”

must be that tall white man came again. sitting in the back, nodding and singing loud, even not knowing the words.

you add your shoes to the swamp. push wide the unlocked door to enter the tall ceiling room.

inside it looked just like zoya’s house. which looked just like sahil’s house.


zoya was my persian best friend. her dad was a taxi driver and back then they had this same two story house. back before his gambling lost them the house and all his medallions. back then we would watch MTV and BET for days in the same back room that the Trekannand’s had converted into a temple. back then zoya was always always in hip hop chat rooms on this new thing called aol, tearing up heads all over the country with her lyrical skillz. and I’d be writing on the sly, in my journal, or half practicing new step moves to show the team. when we weren’t watching tv.

back then, zoya was always on the brink of rage, punching holes in walls, screaming her guts out. they had fled what had been a good life in Iran. and sometimes her whole shell shocked family would duck every time the door bell rang.

i’d look around at them, bone still behind the sofa, and be like, “um, I think it’s the mail man…do you want Me to get the door?”

yo mtv raps, duran duran, blind melon, bone thugs, b-e-t’s the quiet storm. tv keeping us calm for hours. sometimes i’d get lucky and zoya’s mom would practice doing nails on me while we watched, layering my fingers thick with acrylic for hours until they were done and I had ghetto fabulousness all across my wing span.

inevitably the nails would fall off the next day, too thick. eventually, zoya’s pearly and lacy and tight mouthed mother would give up the salon track and work fast food, jack in the box and later, mcdonalds, bringing home american treats for her family before the daughters, zoya and soraya, fled the tense nest.

there were 5 models of homes in our southern cali neighborhood. a military town, so nothing too extravagant, but the Trekannand’s house had one key difference. the Trekannands had added on a room in the back, just to hold all the people who flocked to them for Thursday night bhajans.

we drove there dutifully, part of the flock. my mom and i. me reluctant at first. reverential at last.

we always passed jeanette’s house on the drive to bhajan. jeanette was my best black friend. she lived right around the corner from the trekannands.

jeanette had finally done it with larry, her man. she told me so in my backyard, arms stretched up, hanging onto the sliding glass door frame like otherwise she might blow away with the force of it.

“you did?” I couldn’t believe it. before me?

I quickly found me a man too. montrel. we met over the phone through friends of friends, phones and pagers. then, days later, we met at a gas station on the corners, aka the four corners, aka the four corners of death. that was back when southeast san diego was gangland and the intersection of imperial blvd and federal blvd was known for being lethal, an asphalt and concrete burial ground. bodies and dilapidated taco shops.

we met at the pay phones by where cars pulled up for air that cost a quarter. he looked good but vacant. just like i’d thought.  lips like soft like sun rays. eyes half closed to life. i just wanted to get this virginity thing over with. he would do just fine.

zoya and her sister had drove me up to southeast. on our way to the gas station we passed 47th street. i talked and talked of the 3 men i had in the palm of my hand on that one street, 47th street was my Shit.  i crowed, hadn’t given up the P to nary a one of ’em, and still had them risking to be with me.

there was michael, who i met at burger king, which he called “burger bing” cuz he was a hardcore blood like that (not) and thus would not pronounce the “see” or “kay” sound for nothing. michael was the first dude i let eat me out. he had “whoomp there it is,” by tag team on repeat the whole time. i preferred 95 south’s “whoot there it is,” it was way better to step to. but we managed to hit that third base, sweet and sticky contortionists in his white girl’s red sports car. the cop who eventually knocked on the steamy window wasn’t an asshole, but i was pretty mortified nonetheless.

then there was tony. a grave and gentle young man, who i had met in the living room of my homegirl nzingha’s house. nzingha’s mom was always home but never outside her bedroom, so it was like nzingha’s own place. her little brother pooty could spin some mean cartwheels on the front lawn. tony, who stayed on the phone with me all night long when that’s all i needed in the world. a lifeline. tony, who watched me seriously and kindly while he pushed two fingers inside of me and slowly, pumped.


Stay tuned for more on Bhajans and Boys from ya fav political poet, roopa singh.

Part 2: God’s Corner, coming at you this Wednesday. See you then!


roopa singh/N

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american cool, by roopa singh

Dear Readers,

America is changing. And I would hate for those changes to trump the telling of the real American story. My coming of age stories have to do with San Diego, where military folks and immigrants from all over the world converged on Mira Mesa, my lil hood. My friends and I grew up amidst unprecedented human diversity. We had no Lonely Planet guides to help us navigate the lonely planets of our new American family homes. Yet we managed to co-exist with much grace and true ache.


Here goes some of my story of growing up Indian in America.

Thank you for reading and enjoy.


American Cool, by Roopa Singh

im nervous. i never worn a t-shirt before. tucked in too much? too little? roll up my sleeves though? breathe.

im in the mirror. this is a milestone day. the day I wore my first t-shirt to the 6th grade. the day I tore into American cool.

tore into it so hard you’da thought I was taking a bite of beef jerkey. which I always had handy, even though im hindu.

school was always raising money for something or another and beef jerkey sales were high on the fundraiser list. I used to walk around with 30 long sticks in my jansport backpack. stultified sticks of cow flesh and fat, all gristle and flavor, one for a dollar. and i still had 30 to sell.

jessica slowly walked up to the blackboard, savoring each step. she turned, beaming. “my mom sold $120.00 dollars worth of beef jerkey at work.” she tossed her head and caught her breath, the Glory of it.

mr. bandh, our darth vader like teacher, beamed through his unnaturally stiff face. “well, we’ll put two more checks by your name jessica c.” jessica nodded majestically and waltzed back to her seat. I seethed.

why didn’t he call me roopa s.? I wanted my last initial announced too. in my culture, the more your name is declared the more respect you are receiving. mohandas karamchand ghandi. dr. martin luther king, junior. roopa s. wasn’t my fault there were 6 jessica’s in my class. goddamn this military suburb. even the filipino families were naming their daughter’s jessica. another roopa in a class like that?

i didn’t stand a chance.

fuck jessica s. jessica c. jessica d. e, f, g, and all the rest. they all had pre-fabricated bicycle license plates just waiting for them, gleaming on the rack at toys r us, looking like real California license plates, deep blue background, sun burnished letters. I used to scan those racks with my eyes, darting glances up and down the r’s, so it wouldn’t seem to any passing stranger that I even gave two fucks whether my name was on a license plate for my bike.

but I cared.

not seeing my name anywhere made me wonder Where I Was.

i walked home from school in the sun and breeze, dejected. “how am I going to deal with this beef jerkey,” I agonized. i was eating my 10th teriyaki stick that week. my jaws getting used to the cud like texture of dried beef. at the end of the month I would plead for 30 dollars from my mom.

I had no clue why I was peddling these beef sticks and I sure as hell wasn’t going to ask my mom to sell them at her job.

my mom didn’t go to work to be social, it seemed. she went there to get paid, get overworked, get over watched, get overly drained. and finally, she went to work to get overly mechanic.

which seemed to be exactly what this new country needed her to be.

“im not a machine!”

my mom wasn’t screaming loud, her hands working 6 ways as she deftly prepared daal, two subjis, rice and roti after work almost every day.

“I know mom.”

“I only have two hands!”

its not that she was loud. that’s not why these words always chilled me. its that her tone was directed my way.


I wanted her to be a machine?

I wanted her to have 6 hands. it was me, I did it. not her bosses. not her neglectful husband. not my ungrateful brother. not america, not brain drain, it was me. and guilt is a motherfucker.

but today, when my mom morphed her fatigue into my fear, today I felt less like drownding when she came home with that homeless blame. today i cared less about the problematic beef jerkeys swimming like dollars wasted in my backpack.

today I had graduated from button-up shirts to t-shirts. man, my button-ups were my Every Day. as every day as my waist long black braids of coconut oil gleamed hair. the first time i saw t-shirt on the frames of my white and black american friends, i wondered what the hell they were wearing, and where did you get one? who got to wear them? jessicas? davids? roopa?

my favorite button-up, thin from all the wear and washes, was milky white with brown teddy bears on it. they were going fishing. teddy bears with khaki green fisherman hats, poles, tackle. there were swirly cursive words around each bear.

today my dear button-up was hanging in the closet. I had upgraded to a t-shirt. with my sleeves rolled up, tucked in just so.  I looked like a surfer.

I know I did.


stay tuned for more from your favorite political poet. bringing you heart in these cold, golden times.



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on pride

Dear Readers,

Delhi, Kolkata, Banglore, New York City, San Francisco, Toronto all soared this past weekend. Pride.


A young, queer student of mine had this as her Facebook status message on Friday, kicking things off rather existentially: “is there anything to really be Proud about?…but ill b there anyway…see yall in the vill.”


Hell yeah. Pride is to queer folks what the weekend is to everyone else. It’s our time of year to show the rest of y’all how its done. Our time to shine. And we are. Just so. Shiny.

Some of my Pride. This past weekend I saw, in live-amongst-the-tall-green-trees-concert, Chubb Rock, Masta Ace and EMC crew, DJ Premier, OC, Jeru the Damager, Elvis Perkins, the Cold War Kids; I danced epic go-getta style at the Leela Lounge and the Highline Ballroom; I marched up and down Christopher Street as much as my golden sandaled and new-nod-to-the-c-c-c-olors Nike clad feet could take; I feasted with a troop of Desi Dykes; I random conversated with mad queer folks on the subway, because in the City, pride leaks down into the underground; sketched and drew with fellow women to the beat of a live model and nearby book club watching Junot Diaz on You Tube in Spanish Harlem; read deeper into The Tipping Point and The Biography of Paul Robeson; rode my bike to Coney Island, where I quenched, sank my body into salt, spread out to dry on the sand, and arose to the tune of lightening, the color of thunder, rode back home in a torrential summer downpour, soaked and biking. Just like monsoon season. India, I miss you.

And I’m so proud of and inspired by your fabulous Pride march debuts. (!!!)

There’s no beginning or end to Pride, not really. So, Happy Pride forever.

And read my Pride poems, bitc*es.

There’s three for you. One on Pride in the village with the visage so amazing and cops closing us out in the hundreds. Cavalry, SUV’s, scooters. The other two are on dancing in the Pride filled clubs. I heart gay boys.

I’d like to send these poems out to India, my students (you know who you are) and Mondays.



cascade/rain drenched



closeted wish

summer went somewhere

when out of nowhere


the visage

opens a stone walled place inside

a nation of millions

creative children

bending colors

contorting hedgemony

vaulting social control

careening gender roles


poured out pier

backwards looking

cop in his rear/view


which one of you

thinks this is funny

barricades slapped on the crowd

the worlds most lucrative consumer base

only gets

un-caged/out loud

one weekend a year

never will we forget

that this is Our Pier







dancing/heal me

dancing/billy club

dancing/my drug

of sweat/choice




gay boys

gay boys

brown and black

cowboy boots and daisy dukes

all knees and elbows

curves and necks/posed/up

gay boy

dance close/for good/luck

and good measure

i promise i won’t take my eyes off you

as long as you watch me too

gay boy

pressed against/our hip bones blue




thanks for tuning in to: “on pride.” stay tuned folks, there’s more where that came from in two and two.


roopa singh/n

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